Thursday, January 12, 2006

The Feel-Not-So-Good Movie of the Year: MUNICH brilliant, though upsetting


If you're looking for a way to recover from the Christmas Blues, rent The Baxter, but if you are really in the mood for an incredibly well done cinematic event, see Munich.

The film is based on the undercover retaliation of the horrific assasination of the Israeli Olympic team by a group of Arabs. In the film, the Israeli government puts together a top secret group full of "the common man" unsuspecting assasins and bomb makers. They are sent to kill a list of men who aided in planning the Munich attacks.

At first, we are thrown into a hectic paced sequence of authentic news clips from the actual 1972 disaster. In one of the more brilliant shots, a tv was showing the well known image of one of the masked assasins waving on the balcony of the hotel where they kept their hostages. In the background, we see the actor playing the assasin run out of the hotel room and reinact it- in other words, we see the same shot from two different angles (except the one on the tv is the actual 1972 footage.) It was extremely powerful. My parents both refused to see this film; "We lived through it, and that was enough for us." This part of the movie made me understand- this sequence was realistically disturbing and intense.

The incredible Hulk Eric Bana plays Avner, the lead everyman secret and governmentally justified assasin. His performance, among others, including the virtually unrecognizable Geoffrey Rush, put us straight into the time period. Director Steven Spielberg does the incredible job of keeping the film in the period of the 70's. One aspect that added greatly to this film was the fact that he really didn't use any big names, besides Bana and Rush, who most movie goers wouldn't recognize anyway. This way, we weren't watching Tom Cruise run around screen as we were with Spielberg's other film this year, (sorry, Chris...)

Anyway, to wrap this up (since, anyone who has been following has noticed this has been to be continued for about 3 months), Munich was in fact an incredible film. I did, however, feel like I wanted to curl up and hide for about a week or so. Definately watch this movie for the beautiful piece of cinema it is, but do not go if you're looking for escapism. Final Grade: A-

Monday, January 02, 2006

Gone Fishin': BROKEBACK so much more than this year's "gay movie"


This year has brought us some absolutely incredible acting and "Brokeback Mountain" is no different. The performances in this film are some of the most amazing I have seen yet, and the film itself was enjoyable, compasionate and very well made.

Jack Twist, Jake Gyllenhaal, and Ennis Del Mar, Heath Ledger, find themselves alone on a mountain for a summer keeping watch over sheep (I'm no shephard or cowboy, so I was a little lost as to exactly why the sheep were on the mountain to begin with.) On a cold, drunken night, the two find themselves sleeping next to each other (and shortly after, sleeping with each other.) Over the course of the summer, a playful romantic relationship begins to form between the two men. They part at the end of the summer, realizing they need to go back to the real world- Ennis has a fiancee lined up. He marries Alma, in a breathtaking performance by Michelle Williams, and they start a family. Jack meets Lureen at a rodeo, played by Disney's princess Anne Hathaway, and marries her. Their lives seem to be perfectly fine apart, until a postcard from Jack brings all those feelings flooding back. Now, both men deal with the pure happiness of their forbidden love affair versus their disintegrating real lives.

In one of his 3 headlining performances this year, ("Proof" and "Jarhead," plus narration in one animated short,) Gyllenhaal is looking good as far as Oscar nominations are concerned. His performance as the more accepting Twist is great, and is only deterred by the makeup. As odd as that sounds, they had to make the 24 year old progress to almost twice his age. The makeup, not only for him but for Hathaway as well, was dissapointing. It wasn't horrible, but especially with those two actors it was inconsistent. In one scene, Hathaway looked as if she had aged 15 years, where Gyllenhaal looked the same. Still, that was the only thing that really detracted from Gyllenhaal's believability. Hathaway gave a shocking performance- at least from what we are used to seeing her in- it was a very commendable step forward in her career, but her character was very flat and lacking. Another surprising performance was that of Williams. Although brought to fame by her obnoxiously dramatic "Dawson's Creek" character, she is obviously destined for bigger and better things. Her incredible performance in "Brokeback" as the unappreciated wife and working mother was a strong point in the film. (I'm predicting at least a nomination from it) Another incredible performance was that of Ledger. Ennis was the focal point of the film, as it mostly followed his life, and Ledger was impecable at it. The character was very introverted, and he really played his intentions very well- you could almost see what was going on inside his head.

The roles of the two men fit perfectly together. Jack wanted to start a life together and live in happiness, but Ennis knew that it would be too dangerous to be open about this in their society. Although this movie is obviously about a gay relationship, director Ang Lee hardly presents it as a gay rights film or a "typical gay movie." These were just two characters in love. They don't even reference homosexuality (accept after they have sex for the first time, and Ennis proclaims, "I'm not a queer.") I really appreciated the way it was dealt with in the film. You just see the two men miserable in their regular lives, and happy only for the moments when they are together on Brokeback Mountain.

One of the films downfalls, which was one of the things I was anxious to see, was how the relationship started. Their friendship budded, and they got drunk one night, and although Jack was obviously the more open one and made the first move, Ennis was the, let's say, giver. I felt like they wanted to jump into the relationship too quickly, unless that was something cowboys did when they were in the middle of the woods for prolonged periods of time. Afterwards, the progression of their relationship was wonderful. But it was a little sudden how it got started. Another down point is that some parts seemed to drag a little. Don't drink your soda too quickly while watching it, or you may start to notice that more than the film. The biggest downfall of the movie, which I mentioned before, was the aging process, but also I wish we saw more of Jack's life. The movie really focused on Ennis, and it left me wanting to see more of Jack and Lureen and their little boy.

This is a great film- it deals well with the subject of a homosexual relationship by making it more about a love story, with a love that can never be fulfilled. You may not want to take your Southern Catholic Grandmother to see it, but I think that even some people who are not accepting of homosexuality can enjoy this movie, and even sympathize with the characters. I'm not sure if it will have a wide release, but if it is playing near you, definately go see it, especially if you like love stories (but don't expect a happy ending.) Overall Grade: A-